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She plays Ellie Turner, an aspiring fashion designer who becomes obsessed and haunted by London’s Swinging Sixties.Īpparently inspired by Don’t Look Now and Repulsion, writer-director Edgar Wright’s time-spanning “dark valentine to London” evokes memories of various Hammer horrors, The Neon Demon and Somewhere in Time, while also having the feel of a Doctor Who or Sapphire and Steel story. This is the Thomasin McKenzie show(case) – and she grabs the opportunity with both hands. Last Night in Sohoĭon’t let the presence of 2020’s “Queen”, Anya Taylor-Joy, fool you. Thomasin McKenzie plays aspiring fashion designer Eloise “Ellie” Turner in Last Night in Soho. Go and see it on the biggest screen in town. Villeneuve has made Dune into something accessible and human, while retaining and celebrating the epic scale of the source. There is grandeur and pomp here, and a sense of mighty political foes manoeuvring their way around each other, but Dune is never anything less than nimble at getting across the screen. And Villeneuve has set the story in motion at exactly the right pace. The effects – digital and in-camera – are convincing and appropriately astonishing. The look of the film is exactly what a fan might have hoped for.
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Working from a script co-written with veterans Jon Spaihts and Eric Roth, Villeneuve's vision of Dune simply gets everything right. Compressing novelist Frank Herbert's sprawling storytelling into anything watchable and propulsive is.īut Denis Villeneuve has succeeded.
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While some of the more than 30 titles that have been released to the rest of the country over the last three-and-a-half months are now available on streaming services ( The Power of the Dog, Annette, Shang-Chi), those desperate for an in-theatre experience will have a wealth of options to choose from.ĭenis Villeneuve has made Dune into something accessible and human, while retaining and celebrating the epic scale of the source. Tomorrow, Aucklanders will be able to rejoin the cinema-going conversation (Monterey Cinemas in Howick and Takapuna have screenings of two of the biggest flicks at 12.07am and 12.15am on Friday morning for those who can’t wait), albeit with limits on numbers still in place.
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When movie theatres were forced to close their doors on the evening of Tuesday, August 17, the blockbusting trio of Free Guy, Suicide Squad and Jungle Cruise topped the New Zealand box office, Kiwi thriller Coming Home in the Dark had just opened, and audiences were looking forward to Jennifer Hudson playing Aretha Franklin in Respect as well as the mysterious Hugh Jackman-starring sci-fi romance Reminscience opening later in the week. It has been more than 100 days since those in our largest city were able to step foot in a cinema. Ten terrific movies to see during Auckland cinemas' re-opening weekend.